Saturday, June 14, 2014

আয়নার সামনে, বুদ্ধদেব গুহ/ Before the Mirror, Buddhadev Guha



I remember, it was the full moon night on which Lakshmi is worshipped. It was already quite cold in the forests and mountains that surrounded the little known town of Titirjhuma in Uttar Pradesh. I was travelling back to Kolkata on my holiday.

In those days I had to travel twelve miles by bullock cart to catch the train from Lathiyalia station.
I had started in the afternoon in order to be on time for the night train. With me was Mr. Chauhan. We had spread blankets on some straw inside the cart and were chatting to each other as we journeyed.

The full moon was shining brightly all around us. The unsealed road meant that the cart wheels and the bullocks’ hooves raised dust but it did not fly about as it was weighed down by the seasonal dew. There were fields of kitari and bajra on either side and in the distance were the Vindhya ranges, like an even wall along the horizon.

The various odours of dust, dew, moonlight, the beasts, the straw and the dew drenched crops around us had amalgamated into an unusual mixture of perfumes that filled the air.

In time we reached Tundu. The driver of the cart now took the way to the right. We got to the Titirjhuma plain at the foothills of the mountains. On one side lay the ranges and on the other were the Butbutia national forests.

Rajinder Singh was sitting at the back of the cart. He had a country blanket draped lightly about him. I still remember the colour. It had large black squares on a white background. Above the blanket, the soft unctuous moonlight fell on his angular but thoughtful face. He seemed to be thinking of something as he looked at the trees we were leaving behind, the vast moonlit plain around us and the distant mountains.

A white owl of the type said to be favoured by Lakshmi flew up from a bushy Acacia on the roadside and circled our moving cart in silence for a long time before flying back to the same tree.

Suddenly Rajinder spoke up, almost as if to himself, without looking at me, ‘How beautiful is our country, is it not? This country is very beautiful. If only we, all of the people living here could be like this country?’
I remained silent for some time before asking, ‘What do you mean by as beautiful as the country?’
He said, ‘I do not mean physically beautiful; if we could be all together beautiful, like humans are meant to be.’
‘What do you mean like humans? We are all humans. Aren’t we?’
Rajinder now looked at me, saying, ‘Where? Where are the humans in the country? The ones who deserve to be known? All of us, most of us are merely made in the human shape. Some rank blood, some water, a little fatty substance, some skin and bones – just a pile of junk in human shape. How many humans do you think there are in the midst of this multitude of people?’

The cart was approaching a culvert.

Suddenly the cart man said in a frightened voice, ‘There are some people sitting on the culvert with their faces masked from view. I think they may be robbers.’

The plains of Titirjhuma are infamous for robberies. There was not much they would be able to steal from me, although I had some clothes in my suitcase along with a little money that I had saved over the past year; that would be lost if they did.

The terrified driver stopped the cart.
Rajinder asked him angrily, ‘Why did you stop the cart?’
In answer the man said, his voice quavering, ‘Master.’
Rajinder used a profanity at him and said, ‘What is your fear? You have nothing on the inside or on the outside – what do you fear robbers for, you fool!’
He then said, ‘Keep driving. Take it right in front of them and stop. I will show them, they don’t know I am in this cart.’

The cart had almost reached the culvert by now. It is not as if I was completely unafraid, but it is hard to feel afraid when Rajinder is with you.

The cart came to a sudden halt. The men all stood up when they saw we had stopped.
Each of them was six feet tall. I suppose no one in the region was less than six feet tall as a rule. They all wore their dhotis tied on tightly, locally woven shirts and heavy wraps. On their feet were steel shod pointed shoes. Each of them carried thick staves as tall as them.

Rajinder threw a question at them in his sombre but sharp voice, ‘Who are you all?’
They all laughed at this.
On that moonlit field at Titirjhuma, with their heads covered they all looked ghostly.
They laughed and answered, ‘Your father!’
Rajinder spoke in a tone of unconcerned hatred, ‘You are all dogs! That is what you are.’ He then described their sisters with a particularly stinging local insult and said, ‘If you want to get out of this alive, let us pass. Or else you will be shot.’

The men did not move. They stood on the road as before. The bullocks looked at them with unblinking stares as they chewed the cud.

Rajinder stayed seated as he was, and without getting excited or moving in the slightest spoke again, ‘I never repeat myself twice, let us pass, you sons of dogs –'

Suddenly something happened to the men, much as a school of fish underwater, they moved as one and began to walk off silently towards the jungle of Butbutia in the moonlight.

I heard one of them say in hushed tones of respect, ‘Chauhan!’ Another one answered, ‘Let us go quickly! Today we have managed to escape death!’








Friday, June 13, 2014

মাতাল, শঙ্খ ঘোষ/ Drunk by Shankha Ghosh



মাতাল


আরো একটু মাতাল করে দাও।
নইলে এ বিশ্বসংসার
সহজে ও যে সইতে পারবে না!

এখনও যে ও যুবক আছে প্রভু!
এবার তবে প্রৌঢ় করে দাও-
নইলে এ বিশ্বসংসার
সহজে ওকে বইতে পারবে না।         
                     
                       
শঙ্খ ঘোষ
                       

**


Drunk

Make him drink a little more,
Without that he will not easily
Bear the weight of this world!

He is but a youth!
Then make him a little older -
Without that this world
Will not be able to bear him.


Monday, June 9, 2014

"শাড়ি", সুবোধ সরকার/Sari by Subodh Sarkar





"শাড়ি"
-সুবোধ সরকার

বিয়েতে একান্নটা শাড়ি পেয়েছিল মেয়েটা
অষ্টমঙ্গলায় ফিরে এসে আরো ছটা
এতো শাড়ি একসঙ্গে সে জীবনে দেখেনি।

আলমারির প্রথম থাকে সে রাখলো সব নীল শাড়িদের
হালকা নীল একটাকে জড়িয়ে ধরে বলল, তুই আমার আকাশ
দ্বিতীয় থাকে রাখল সব গোলাপীদের
একটা গোলাপীকে জড়িয়ে সে বলল, ‘ তোর নাম অভিমান’
তৃতীয় থাকে তিনটি ময়ূর, যেন তিন দিক থেকে ছুটে আসা সুখ
তেজপাতা রং যে শাড়িটার, তার নাম দিল বিষাদ ।
সারা বছর সে শুধু শাড়ি উপহার পেল
এত শাড়ি সে কি করে এক জীবনে পড়বে ?

কিন্তু বছর যেতে না যেতেই ঘটে গেল সেই ঘটনাটা
সন্ধের মুখে মেয়েটি বেরিয়েছিল স্বামীর সঙ্গে, চাইনিজ খেতে ।
কাপড়ে মুখ বাঁধা তিনটি ছেলে এসে দাঁড়ালো
স্বামীর তলপেটে ঢুকে গেল বারো ইঞ্চি
ওপর থেকে নীচে। নীচে নেমে ডান দিকে ।
যাকে বলে এল ।
পড়ে রইলো খাবার, চিলি ফিস থেকে তখনও ধোঁয়া উড়ছে ।
এর নাম রাজনীতি, বলেছিল পাড়ার লোকেরা ।

বিয়েতে একান্নটা শাড়ি পেয়েছিল মেয়েটা
অষ্টমঙ্গলায় ফিরে এসে আরো ছটা।
একদিন দুপুরে শাশুড়ি ঘুমিয়ে, সমস্ত শাড়ি বের করে
ছতলার বারান্দা থেকে উড়িয়ে দিল নীচের পৃথিবীতে ।
শাশুড়ি পড়িয়ে দিয়েছেন তাকে সাদা থান
উনিশ বছরের একটা মেয়ে সে একা ।

কিন্তু সেই থানও এক ঝটকায় খুলে নিল তিনজন, পাড়ার মোড়ে
একটি সদ্য নগ্ন বিধবা মেয়ে দৌড়াচ্ছে আর চিৎকার করছে, ‘বাঁচাও’
পেছনে তিনজন, সে কি উল্লাস, নির্বাক পাড়ার লোকেরা ।

বিয়েতে একান্নটা শাড়ি পেয়েছিল মেয়েটা
অষ্টমঙ্গলায় ফিরে এসে আরো ছটা….





Sari


The girl got fifty one saris for her wedding
Back to her mother for the ceremonies of the eighth day, six more waiting;
She had never seen so many together all her life.

On the first shelf, she placed all the blue saris
Hugging a watery shade to herself, she called it her sky.
On the second shelf stayed all the pinks
This time she caressed one in rose and called it feelings.
Peacock feather tintes, the three on the third shelf, like happiness rushing at her from three sides.
She called it sadness, the one that was bay leaf green.
That whole year she was given sari after sari
How would she wear them all in just one life?

But before the year was fully done, it happened.
Out for a Chinese dinner with her husband when
Three men came and stood, their faces masked
Twelve inches of steel they pushed into her husband’s belly
Carving up and down, then slashing right
Like an L in the alphabet; an L for life.
The food still on the plates, steam rising from the chilli fish
It was all political, said the locals at the time.

The girl got fifty one saris for her wedding
Back to her mother for the ceremonies of the eighth day, six more waiting.
One afternoon as her mother-in-law slept, she took them all out
Tossing them into the sixth floor air outside their balcony.
The older woman had dressed her in widow’s white
At nineteen she found herself completely on her own.

But even that white shroud was removed in a trice by three men on her own street
A newly naked widow runs, calling for a hero, ‘Save me!’
Followed by three predators in celebratory glee, watched by silent locals.

The girl got fifty one saris for her wedding
Back to her mother for the ceremonies of the eighth day, six more waiting.


Friday, May 30, 2014

জাতিস্মর, কবীর সুমন/ Jatismar, Kabir Suman




http://tilak.6te.net/images/poetries/Jatismwar.pdf

No hope of immortality, no demands of any kind,
Seeking you the only thing that gives meaning to this mortal life.
Moments pass for the eternally blind seer
The lost memories of life gone by, let them be forgotten
the wind sighs through pages torn from the past
Seeking you the only thing that gives meaning to this mortal life.

Upon a cobra's hood Lakhindar's memories dance,
Behula will never be widowed, this is the way of Bengal,
The raft floats on between darkness and light, carrying the same corpse,
I have died before and will do it again, pledging love upon my lips.

I was born many times, and died in your arms
The only thing that kept me here was the need to see you again,
We come back over and over drawn by this earth's cry,
Heard in the waves of the  Gangur, Kopai and the Kapotakkho rivers.
Sometimes the Gangur becomes the Cauvery, sometimes the mighty Mississippi,
At other times she sings the tunes heard on the Congo or down the Rhine,
I have never been one to write down tunes, I still remain that way
All I ask is to hear your name in the songs that the masses sing.

I wanted you when many lives ago,
The Buddha's loneliness coloured the setting sun,
His mercy made you seek the truth on your own,
I too became a seeker and we met upon the field,
I was down on my knees as I still remain
Be the alms that I seek from my dreams be soothing to my eyes,
Let me crush your lips with mine as we trap the poem of love
I pledge upon my love and the rebellion in my heart, I only want you.

You came to life many times dreaming of me,
I was the one who was your desire, your revolution, your scream,
Every time that you suffered pain, know that you have received me,
I am your man, the land of your birth.

Every time you became a mother, I fathered the child,
Our funeral pyres have been lit by all our children my darling,
We come again and again, we go back when life is done,
I will come again, I will cry out aloud, I want only you.



Sunday, May 25, 2014

মালতীবালা বালিকা বিদ্যালয়, জয় গোস্বামী, Malatibala Girls School, Joy Goswami



মালতীবালা বালিকা বিদ্যালয়
জয় গোস্বামী

বেণীমাধব, বেণীমাধব এতদিনের পরে
সত্যি বল সেসব কথা এখনও মনে পড়ে?
সেসব কথা বলেছ তুমি তোমার প্রেমিকাকে?
আমি কেবল একটি দিন তোমার পাশে তাকে
দেখেছিলাম আলোর নীচে; অপূর্ব সে আলো
স্বীকার করি, দুজনকেই মানিয়েছিল ভাল
জুড়িয়ে দিল চোখ আমার, পুড়িয়ে দিল চোখ
বাড়ি এসে বলেছিলাম, ওদের ভাল হোক

রাতে এখন ঘুমতে যাই একতলার ঘরে
মেঝের উপর বিছানা পাতা, জ্যোৎস্না এসে পড়ে
আমার পরে যে বোন ছিল, চোরাপথের বাঁকে
মিলিয়ে গেছে, জানি না আজ কার সঙ্গে থাকে
আজ জুটেছে, কাল কি হবে, কালের ঘরে শনি
আমি এখন এ পাড়ায় সেলাই দিদিমণি
তবু আগুন, বেণীমাধব, আগুন জ্বলে কই
কেমন হবে, আমিও যদি নষ্ট মেয়ে হই? 

***

Malatibala Girls School
Joy Goswami (An Extract)

Benimadhab, Benimadhab after all this time
Tell me the truth, do you remember anything that happened?
Have you told your girlfriend about those days?
I saw you two together just that one time
Under the street lights; surreal their glow
I must say, you two looked good together
It filled my heart, it scarred my eyes
At home I said, may they have everything they want.

Now I sleep in the downstairs room
on a bed spread out on the moonlit floor
Remember that sister who was younger than me?
She has long vanished in quicksand, who the hell knows where she is
Today I have food, but who knows what tomorrow brings
I am now the seamstress of the local para
Still no flames, Benimadhab, when will the fires burn?
How would it be if I too found the wrong way out of this?

Thursday, May 22, 2014

আনন্দ ভৈরবী, শক্তি চট্টোপাধ্যায়/ Ananda Bhairavi, Shakti Chattopadhyay





Ananda Bhairavi

Today the frame hangs akew in that room
It was not like this at the end of a day of rain
The garden was filled with rain bruised bloom
Ananda Bhairavi.

Today the cowherd no longer comes to the field
Nor strains of flute rise about banyan trunk
The rain still erupts, ploughing clouds
with furrows of lightning.

Did he not know that this is how calamity
pounces upon the red cock's comb?
Did he not know it is a waste of heart
miserly gift from the unused hand?

Did he not know that the fanfare of the city
far exceeds the size of this heart?
Did he not know, how much I know him
from fingertips to distant sea?

Today the frame hangs akew in that room
It was not like this at the end of a day of rain
The garden was filled with rain bruised bloom
Ananda Bhairavi.

Shakti Chattopadhyay
(Translation, mine)

Tuesday, May 6, 2014

ঝাউয়ের ডাকে তখন হঠাৎ মনে আমার পড়ল কাকে রাত্রিবেলা




ঝাউয়ের ডাকে
শক্তি চট্টোপাধ্যায়

ঝাউয়ের ডাকে তখন হঠাৎ মনে আমার পড়ল কাকে রাত্রিবেলা?
উপকূলের সঙ্গে চলে স্রোতের খেলা,
সাঁতার কাটে স্রোতের জলে চাঁদের নরম দুখানি হাত,
লাইঠাউস দেখায় আলো দূর গগনের জলপ্রপাত,
গত বছর এসেছিলাম, বুকের মধ্যে বেসেছিলাম তোমায় ভাল্‌
এখন সন্ধ্যা হয়েছে ঘর,
কেবল মেঘে, মেঘে, মেঘেই দিন ফুরালো...

এখন নিথর রাত্রিবেলা,
জলের ধারে কেবলই হয় জলের খেল্‌
অবর্তমান তোমার হাসি ঝাউয়ের ফাঁকে,
আমায় গভীর রাত্রি ডাকে...
ও নিরুপম, ও নিরুপম, ও নিরুপম...


In the call of the casuarina

Who was it I remembered in the rustling of the casuarinas in the night?
The waves play a game with the shore.
The moon swims, parting the water with her gentle arms
The distant sky like falling water, under the searching gaze of the lighthouse.
Last year we were here, in my heart I had even loved you,
Now the room is filled with twilight,
The day ages faster in the company of clouds.

Now it is deep in the night
The water plays alone by the waterside.
Your smile hides no longer among the casuarinas
The dark night keeps calling me,

Nirupam, Nirupam, Nirupam.

Shakti Chattopadhyay